© 2016 by George Jackson
Making sense of what one sees on stage involves options. Is the author of what happens trying to create a whole world or telling just one tale or is the intent to shape patterns? In the instance of choreographer Tim Rushton’s “Black Diamond”, I set out resisting the temptations he offered to explore an alternate universe or follow a story line. There was no way to do either without imposing my own imagination on his. So, what was Rushton up to designing action?